Like I said earlier, I think that the (music) industry in general is tech savy and forward looking design wise - hence my suggestion.
Hmmmm.....
Is this really true?
If so, it doesn't explain the popular practice of dressing up thoroughly modern gear and applications in various forms of "classic" and "vintage" packaging and interfaces, does it?
That's something that I see all the time and take particular notice of, because I never really understood it. Take a brand-new, all-digital modeling amp and put it in a package that looks like it was designed and built in 1959? Make some incredibly flexible, powerful and modern program or plug-in, and not only design it - but actually market the fact that - it looks on your computer screen, like a picture of a piece of gear that is half a century old?
Musicians, engineers and composers seem to be just as (even more?) likely to find comfort in established design as everyone else. At least many of them apparently do.
But I think we ALL agree that the quarter-round edge routing on that upper shelf is truly heinous...