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I have not been doing live sound enough to become as jaded as Joe (nor as skillful). The band I work for went to in-ears as a result of shitty house "engineers" inability to get a consistent monitor mix for them, mixing while drunk and p
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Thanks DP. Well this covers the gamot of live sound, everything from what is supposed to be professional sound engineers to back yard party guys. I have seen them all with piss poor results.
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Ahhhhh....now I remember why I missed Jeremy...long meandering silly (but ultimately entertaining) and poorly spelled posts!!! YHEA!!! I particularly liked J.O.B (Jam On Brutha!) Phwew!
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Originally Posted By: Michael M either way it's an artists' job to communicate what they want to these folks, and to interact with them to help get what you want if you don't have your own person. it has to be a situation of mutual respect and coop
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do your own sound or bring your own engineer whenever and wherever possible is the safest way to go as a live performer in smaller venue situations. in the crap shoot of live sound engineers the full spectrum exists to be sure - there's shit and the
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You guys have heard me rant on this topic before, so... Since I have been playing drums again, about 1.5 years now, I have had a chance to play out at shows, some just back yard parties, some on the Mall in D.C. and county fairgrounds on big stages.
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That analogy does not quite work Knife, between cars and music, but I see your point. Some of you guys have been at this a lot longer than I have but, from my experience, when adats came out in the eairly 90's, a new age of digital recording was bo
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It is interesting that this idea seems new or worth debate: Originally Posted By: Jeremy HesfordPeople don't care about fidelity anymore, mp3 is the norm. You seem to be confusing two separate issues, simply because they both relate to how people a
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The only way to make it is to paint cake on your face!
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